{"id":4277,"date":"2024-08-19T08:00:54","date_gmt":"2024-08-19T08:00:54","guid":{"rendered":"https:\/\/entangelments.de\/?p=4277"},"modified":"2024-12-20T22:28:46","modified_gmt":"2024-12-20T22:28:46","slug":"unborn-changeling-fruitless-tangelos-wooden-rangelands","status":"publish","type":"post","link":"https:\/\/entangelments.de\/en\/unborn-changeling-fruitless-tangelos-wooden-rangelands","title":{"rendered":"Unborn Changeling \u2013 Fruitless Tangelos \u2013 Wooden Rangelands"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1770\" height=\"1000\" src=\"https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3.png\" alt=\"alt=&quot;Apostroph, Zeichnung und Text Tom Sojer&quot;&gt;\" class=\"wp-image-4274\" srcset=\"https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3.png 1770w, https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3-382x216.png 382w, https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3-192x108.png 192w, https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3-768x434.png 768w, https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3-1536x868.png 1536w, https:\/\/entangelments.de\/wp-content\/uploads\/2024\/08\/apostroph-cover-3-388x220.png 388w\" sizes=\"auto, (max-width: 1770px) 100vw, 1770px\" \/><figcaption class=\"wp-element-caption\">&#8220;Apostrophe&#8221;, Sign and word, Tom Sojer<\/figcaption><\/figure>\n\n\n\n<p><strong>Angelus suspensus. Essays \u00fcber die\u00a0Geduld der Engel (2)<\/strong><br><br>Ink surges&nbsp;forward, relentless \u2013 it&nbsp;is&nbsp;time itself. It unfurls like a line across&nbsp;the world, an unceasing sweep of the pen, capturing the future in&nbsp;words and&nbsp;numbers. In its wake, the open and the hidden converge, merging into a memory.&nbsp;From it, and towards it, a moment breathes,&nbsp;glowing with a fragile light in the&nbsp;deepening blue of twilight. Yet what awaits us slips away, disappearing quietly&nbsp;among the trees, where the&nbsp;light barely grazes the earth. Only when it has&nbsp;escaped our grasp do we finally see, turned away in the figure of an angel, deep&nbsp;within the&nbsp;shadows of the forest: an ethereal woman, her back turned towards&nbsp;us, her head gently inclined over her left shoulder, her ear tuned to our&nbsp;presence. The empty face does not see us. It listens, straining to catch what&nbsp;unfolds in the vastness behind us. Perhaps it is not the angelic&nbsp;woman herself,&nbsp;but the act of listening that surrounds her and us \u2013 an endless,&nbsp;all-encompassing listening that draws us into the stillness of&nbsp;the forest.<\/p>\n\n\n\n<p>Invisible threads&nbsp;stretch through the dense thicket. A wing, strange and flat,&nbsp;&nbsp;moved in the waves by something&nbsp;unapproachable, laid across&nbsp;black, mirror-like waters. A peculiar ring of time&nbsp;embedded in her tree trunk, perhaps a wing, perhaps an apostrophe \u2013 or both, a&nbsp;symbol&nbsp;guiding the shift in words, like the rustling of leaves follows the&nbsp;wind. What does the apostrophe hold back from revealing itself? Whose&nbsp;absence&nbsp;does it signal? The old origin, long lost within the forest, or the new one,&nbsp;poised on the brink, waiting to leap into the unknown&#8230;<\/p>\n\n\n\n<p>Like Walter&nbsp;Benjamin\u2019s Angel of History, the apostrophe twists and turns through the act of&nbsp;writing, its back to the&nbsp;future. It compels us to confront the touch of the&nbsp;unseen and the undone, illuminating in their absence a clearing, a&nbsp;world beyond&nbsp;the forest where breath no longer reaches us. The apostrophe becomes her&nbsp;opening, her tear, her cut,&nbsp;her depth, her fold, her abyss \u2013 and also her seam,&nbsp;her edge, her hem, wrapping its bearer in a silent shroud of&nbsp;language. The&nbsp;angelic woman unfolds within it, like an infinite braid. What lies beyond, at&nbsp;the edge of the fields or&nbsp;further still? There, at the forest\u2019s edge, along the&nbsp;world\u2019s boundary, the excess surges, glowing faintly above moss-covered ground.&nbsp;Does she, the one marked by the apostrophe, truly see what she gazes upon? Is&nbsp;she about to turn her&nbsp;face towards us, or away from us? In the undergrowth, the&nbsp;truth remains her secret.<\/p>\n\n\n\n<p>And is it our&nbsp;secret that we have become a mystery, a drama, a spectacle for the angels (1&nbsp;Corinthians 4:9)? Wind-loved \u2013 interwoven \u2013 laid bare, we remain suspended in&nbsp;uncertainty, gazing into the eschatological reserve of the&nbsp;text, its patience&nbsp;bearing the weight of the unspeakable. The apostrophe marks us within the&nbsp;script, tracing an outline&nbsp;and beginning the delicate cut into the unsayable.<\/p>\n\n\n\n<p>Thomas Sojer<br>Robert Krokowski<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Angelus suspensus. Essays on the patience of angels (2)<\/p>\n","protected":false},"author":3,"featured_media":4275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169,166,103,175],"tags":[],"class_list":["post-4277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-angelus-suspensus-essays-on-the-patience-of-angels","category-angelus-suspensus-essays-ueber-die-geduld-der-engel-en","category-robert-krokowski-en","category-tom-sojer-personal-contributions"],"_links":{"self":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/posts\/4277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/comments?post=4277"}],"version-history":[{"count":7,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/posts\/4277\/revisions"}],"predecessor-version":[{"id":4292,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/posts\/4277\/revisions\/4292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/media\/4275"}],"wp:attachment":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/media?parent=4277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/categories?post=4277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/tags?post=4277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}