{"id":2835,"date":"2021-07-13T09:03:14","date_gmt":"2021-07-13T09:03:14","guid":{"rendered":"https:\/\/entangelments.de\/libertad-esmeralda-iocco"},"modified":"2022-11-01T16:36:03","modified_gmt":"2022-11-01T16:36:03","slug":"libertad-esmeralda-iocco","status":"publish","type":"page","link":"https:\/\/entangelments.de\/en\/libertad-esmeralda-iocco","title":{"rendered":"Libertad Esmeralda Iocco"},"content":{"rendered":"\n
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\u00a9 Nicol\u00e1s Freda<\/figcaption><\/figure>\n\n\n\n

https:\/\/libertadesmeralda.wixsite.com\/libertad<\/a><\/p>\n\n\n\n

Mai 2021<\/strong>        Scholarship supported by the programm DIS-TANZ-SOLO for the Fraktalwerk-Projekt \u201eEntangel<\/em>ments\u201c \u2013 Embodiments of Messages in Motion.<\/p>\n\n\n\n

seit 2020       <\/strong>Fraktalwerk-Projekt \u201e<\/strong>Botschaften. Die Sprache der Engel\u201c with Ulrike Lynn, Marlen Wagner and Robert Krokowski<\/p>\n\n\n\n

2020\/2021<\/strong>      Choreography and Dance for Video \u201eund in der Astgabel ein Rabe\u201c, Dir. Marlen Wagner, Berlin (Editing in progress); Dancer and Performer in Participatory Art Project \u201eTraumbeute<\/a>\u201c (Dream Prey), Fraktalwerk, Raum f\u00fcr \u00e4sthetische Projekte<\/a>, Berlin, (Documentation in progress) \/ Teaching Pilates and Yoga Online, Preparing Teaching Contemporary Dance, Tango after Lockdown, Planning Contemporary and Participatory Dance Projects.<\/p>\n\n\n\n

2019\/2020<\/strong>      Together with Ana Kancepolsky “El viaje es nuestro”. <\/a> Performance between poetry and dance. \u201cWhy do you travel? A trip that you did years ago, makes sense in a trip that you do now. The answer is in the reflection of a friend that travels where you traveled and create new ways …\u201d. \/ Focussing on participatory dance projects.<\/p>\n\n\n\n

2018<\/strong>    Dancer in dance-video \u201cReplica<\/a>” by Mercedes Falkenberg, Pisando Pliegos Production. This video participated in festivals: V edition IMARP (Brasil), Cultural Cinema Showcase Hispanic-Latinic Heritage, (California, United States). \u201cThe attraction of the embrace, unfolding her femininity by the forcefulness of the bodies, in the framework of the time\/place.\u201d<\/p>\n\n\n\n

2017\/2018<\/strong>      Choreographer in the Performance  “Velar Por”<\/a> by Rosa Teichmann. Financed by Universidad Nacional de La Plata. Performance that showed the dialog of the films \u201cUteros. Una mirada de Elsa Pav\u00f3n\u201d and \u201cChicha, esperanza y dolor\u201d. With the purpose of continuing the search of Truth and Justice of the 30.000 disappeared people in the last dictatorship.<\/p>\n\n\n\n

2017\/2018<\/strong>      Professor of Body Awareness at the Escuela de Danzas Tradicionales de La Plata, Buenos Aires, Argentina<\/p>\n\n\n\n

2013\u20132016<\/strong>     Study with Degree Profesora de danza contempor\u00e1nea. (Dance Teacher Contemporary Dance Orientation) Final grade 8,51, Awarded by Escuela de Danzas Cl\u00e1sicas de La Plata, Buenos Aires, Argentinia<\/p>\n\n\n\n

2013\u20132016<\/strong>     Dancer in \u201cHacia la contemplaci\u00f3n\u201d by the group Prajna Karuna (Arg. 2013) an experimental work between original music and dance that took the present moment as the main element, and similar projects; Dancer in \u201cSeMiCirculo<\/a>\u201d by Luc\u00eda Sandoval (Arg. 2014) a piece of contemporary and tango dance. \u201cMalVinas<\/a>. Huellas en el agua\u201d by Danzaaci\u00f3n (2016). Dance-video tribute to the survivors of the war for Malvinas in Argentina. Director \u201cOpuesto Complementario\u201d (2016) about combination of opposite extremes.<\/p>\n\n\n\n

2011\u20132018<\/strong>        Teacher for children (folk dance, dance and music), Centro de Ense\u00f1anza de Arte y Ciencia. La Plata, Buenos Aires, Argentinia; Private School \u201cJos\u00e9 Manuel Estrada\u201d, La Plata Buenos Aires Argentinien;  Public Schools N\u00b038, N\u00b021, N\u00b08 D.G.C.y E. La Plata and Berisso School N\u00b0 1, Buenos Aires, Argentinia<\/p>\n\n\n\n

2008\u2013201<\/strong>6     Study with Degree Bailarina int\u00e9rprete de danza contempor\u00e1nea. (Dancer in contemporary dance); Awarded by Escuela de Danzas Cl\u00e1sicas de La Plata, Buenos Aires, Argentinia<\/p>\n","protected":false},"excerpt":{"rendered":"

https:\/\/libertadesmeralda.wixsite.com\/libertad Mai 2021        Scholarship supported by the programm DIS-TANZ-SOLO for the Fraktalwerk-Projekt \u201eEntangelments\u201c \u2013 Embodiments of Messages in Motion. seit 2020       Fraktalwerk-Projekt \u201eBotschaften. Die Sprache […]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2835","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/pages\/2835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/comments?post=2835"}],"version-history":[{"count":1,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/pages\/2835\/revisions"}],"predecessor-version":[{"id":2837,"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/pages\/2835\/revisions\/2837"}],"wp:attachment":[{"href":"https:\/\/entangelments.de\/en\/wp-json\/wp\/v2\/media?parent=2835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}